NameSupervisor(s)Title
Sarah Alley Professor Hilary MossMusic Therapy and Child Mental Health at School: The Role of Music Therapy in Reducing Behaviours of Anxiety with Children who have Experienced Trauma
Kelly BoyleProfessor Helen Phelan & Professor Mel MercierDeveloping Creative Practice in the Teaching and Performing of Javanese Gamelan Music
Marianne Brandstettner  Professor Helen PhelanAn Arts Pratice Investigation of Dynamic Cultural Positionality from the the Perspective of a Western Educated Classical Violinist 
Russell BrownDr Breandán De GallaíIntimate Violence: Feeling Impact in Irish Step Dance
Ala BuisirProfessor Helen Phelan & James CarrChallenging Stereotypical Representations of Muslim Women through Arts Practice
James BurnsProfessor Hilary MossA Multifaceted Exploration into the use of Music Therapy in the Rehabilitation of Language and Communication in Young Children with Acquired Communication Impairments
Anthony CahillDr Sandra Joyce Caoineadh nó Ceiliúradh? Examining the Values of Song-Based Slow Airs held by Irish Traditional Musicians
Suzanne ChadwickDr Hannah Fahey de Brún & Professor Helen PhelanContemporary Cultural Influences on Singing and Pedagogy in Ireland and their Impact on the Perception of Adolescent Voice Chang
Nahelli ChavoyaDr Orfhlaith Ní Bhriain & Dr Óscar Mascareñas GarzaImagination as a Locus for Self-expression in Irish Dance
Rodrigo Dalla Favera HoerlleDr Eoin Callery Developing Pedagogical Approaches to Teaching the Micro-Rhythms in Brazilian Samba Music 
Kate DalyDr Kathleen Turner & Professor Helen Phelan A Community Musician's Arts Practice Investigation to Understand, Identify and Develop Safe Singing Spaces in the Context of an Addiction Recovery Continuum
Cormac DeBarraDr Sandra JoyceSustaining the Harp in Ireland: The Culture Bearers of Early-Mid Twentieth Century
Lisa DunnDr Sandra Joyce & Niall Keegan “The New Strung Harp”: Innovation of Tradition in the Music of Máire Ní Chathasaigh
Bianca FiglDr Jenny RocheTranslating Heritage through Movement Practice
Sarbik GuhaProfessor Helen Phelan & Professor Anne MacFarlaneAn Arts Practice Investigation of Songwriting as an Under-Explored Participatory Method in Migrant Health Research
Kexin HuangDr Jenny Roche An Arts Practice Exploration of how the Female Originated Chinese Script of Nüshu can Illuminate Chinese Feminist Principles in Contemporary Dance
Colm Kelly Dr Sandra Joyce & Dr Eleanor GiraudHarmonising Identities: Bridging Musical Genre through Personal Narratives
Svend KjeldsenDr Aileen DillaneMancunian Irish: Musical Practices, Diasporic Identities and Resonifications
Srijaa KunduDr Orfhlaith Ní  BhriainDancing the Currents of Migration: An Arts Practice Research Inquiry
Ava LoiaconoDr Óscar Mascareñas GarzaVOICES: An Arts Practice Exploration of the Cathartic Potential and Pedagogical Application of puppetry
Janine MagninDr Hannah Fahey de Brún & Dr Sandra Joyce Locating Vocal Agency: Investigating Adolescent Girls’ Experiences within Singing Lessons
Celsey McFaddenDr Eoin Callery Still Walking..
Neda NikolicDr Niall Keegan The Global Frula: The Creative Process in a Cross-Cultural Setting
Sherli NovalindaDr Jenny Roche The Body Narrative in Indonesian Contemporary Dance: An Arts Practice Investigation of Choreographic Practice
Charlotte O'DonoghueDr Kathleen Turner & Dr Orfhlaith Ní BhriainAn Ethnographic Study Mapping Youth Orchestra Participation in Ireland: Education, Community and Wellbeing
Marianna PanourgiaDr Jenny Roche & Dr Orfhlaith Ní BhriainAn Ethnochoreological Investigation of Cultural Traits and Oral Traditions of Contemporary Dance Transmission withing Higher Education in Greece
Kyriaki PantelidouDr Triona McCaffreyDeveloping a Family-Centred and Resource-Oriented Music Therapy Programme for Neonates and their Caregivers in Neonatal Care
Jelena PerisicDr Eoin Callery & Dr Óscar Mascareñas GarzaSpacetimes They Are A-Changin’: Re-shaping The Notion of Spacetime By Dissolving The Boundaries Between Sound, Music, Visuals And Text
Miriam PhillipsDr Colin Quigley & Dr Jenny RocheOpening Up the Dance: Widening the Scope of Contemporary Dance Choreography through an Ethnochoreological Perspective
JJ RiordanDr Eoin Callery & Professor Mel MercierOrchestrating the Sonic Banal: Utilising Computer Based Digital Audio Workstations (D.A.W.s) to Manipulate the Sounds of Everyday Objects, Places and Spaces to Compose Musical Works
Caoimhe Ní RiainDr Niall Keegan & Dr Eleanor GiraudThe Role of Notation in the Performance of Classical Music within a Contemporary Context – an Ethnographic Approach
Stephen RyanDr Kathleen Turner & Dr Aileen Dillane Articulating the Fluid Identity of the Songwriting Community Musician in the Field: An Auto-Ethnographic Interrogation of Creative Self-Expression and Self-Preservation
Naomi SanderDr Triona McCaffrey & Dr Breandán De GallaíAn Arts Practice investigation into the Impact of Dalcroze eurythmics on Preparedness in the Professional Life of a Classical Violinist
André SwanepoelDr Óscar Mascareñas GarzaIt has to be larger than life!”: An Arts Practice Enquiry into the Shared, Experiential Communication of a Performing Musician
Roxy TheobaldDr Jenny Roche & Professor Mel Mercier Floetic Inner Lines: A Cultural Inquiry of a Diaspora Trajectory through Dance Performance
Mathuriga ThevapalanDr Óscar Mascareñas Garza  & Professor Mel Mercier COMET – A Critical Study of a Karnatak Music Transmission
Thenuga ThevapalanDr Aileen Dillane & Professor Mel MercierBecoming a Musician in South India: An Arts Practice Exploration of the Contemporary Gurukulavasa in the Karaikudi Vina Tradition
Cecilia TingDr Eleanor Giraud & Professor Helen PhelanLived Experiences of Ritual Music and Gregorian Chant in Chinese Methodist Churches of the Sarawak Region, Malaysia
Claire WattsDr Sandra Joyce &  Carl CorcoranAn Exploration of New Creative Processes and the Reshaping of Songwriting Practice
Ewa Zak DyndalProfessor Helen PhelanPerforming Rites of Belonging: An Arts Practice Investigation of Ritual, Music, and Experiences of Belonging within the Polish Irish Community
Chelsey ZimmermanDr Niall KeeganAn Exploration of the Social, Technological, and Artistic Context of Irish Music in Early 20th Century New York City